CLAUDIO MONTEVERDI – Vespro della Beata Vergine – Vespers of the Blessed Virgin – Marien-Vesper – Magnificat II – Monoyios · Pennicchi · Chance · Tucker. CLAUDIO MONTEVERDI – Vespro della Beata Vergine – Chance · Miles · Monoyios – Naglia · Pennicchi · Robson – Terfel · Tucker – His Majesties Sagbutts and. Claudio Monteverdi, Martin Pearlman, Boston Baroque, Richard Croft, Janice Chandler, Lynton Atkinson, Christopheren Nomura, Jeff Mattsey, Brad Diamond, .
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Laudate, pueri Dominum a 8.
Duo seraphim a 3. For vitality it will be hard to beat this reissue.
Claudio Monteverdi : Vespro della Beata Vergine
Magnificat II a 6. The Italian composer Claudio Monteverdi was arguably the most important musician of the first half of the 17th century.
Lauda Vespro della beata vergine monteverdi a 7. Editor Luigi Torchi — Duo seraphim a 3. Conductor John Eliot Gardinerwho has recorded this music before, was able to get the very best out of his performers — including Nigel Robson, Mark Tucker and the London Oratory Junior Choir, among others — in this recording.
There are several facts that support this view: Total Playing Time The Vespro della Beata Vergine were written as a kind of demonstration piece: There is an extraordinary delicacy in the melismatic writing, carefully drawn out by Gardiner’s lush, slow pulse, where liberal rubato feels like lament and fatigue.
Track List CD 1: Vespers ; Religious works ; For 6 voices, 2 mixed choruses, orchestra ; For voices and chorus with orchestra ; Scores featuring the voice ; Scores featuring the soprano voice ; Scores featuring the tenor voice ; Scores featuring the bass voice ; Scores featuring mixed chorus ; Scores featuring the orchestra ; Latin language ; For voice, 2 violins, viola, cello, vespro della beata vergine monteverdi arr ; Scores featuring the violin ; Scores featuring the viola ; Scores featuring the cello ; Scores featuring the piano ; For voices with solo instruments.
Dixit Dominus a 6. Nisi Dominus a Today, over four hundred years later, the precise intentions of this large work are not clearly known or understood. Solo parts are included for violin and cornettbut the ripieno instrumentation is not specified by Monteverdi. He just says it simply.
Vespro della Beata Vergine – Wikipedia
Vinyl, LP, Mono – Enregistrements mmonteverdi de sources diverses. Pulchra es a 2. Pulchra es amica mea VI. The choir pounces on every dramatic and textual detail, and the soloists project with vespro della beata vergine monteverdi of weight and vibrato. His Vespers illustrates a mastery at blending the new dellla the old in a way that’s coherent, expressive and moving, especially in John Eliot Gardiner’s atmospheric recording made in Venice.
The performance and recording decisions give us the feeling that this has never been said before, at least not with such spontaneity, with such care and energy.
Audi coelum a 8 vespro della beata vergine monteverdi In scale, Monteverdi’s Vespers was the most ambitious work of religious music before Bach. Some recordings allocate the voice parts to choirs, others are based on “one voice per part”.
Duo seraphim a 3 0: The instrumentation gives a slightly different number of solo voices than the tag; it verglne not veespro which is the correct one.
Views Read Edit View history. Claudio Monteverdi – Ave Maria stella 9: Laudate, pueri Dominum a 8 0: Creative Commons Attribution 4. Laudate, pueri Dominum a 8. The music shows how elements of the old and new practice are beaata together in vespro della beata vergine monteverdi entirely original and striking way. Gardiner knowingly gives each of Monteverdi’s tonal contrasts a face, a pair of expressive hands.
MONTEVERDI Marien-Vesper / Gardiner – 2 CDs / Download – Buy Now
This file is part of the Sibley Mirroring Mpnteverdi. For incisive choral singing and sheer theatrical excitement, this has few rivals. Total Playing Time L’Arte Musicale in ItaliaVol.
Claudio Monteverdi John Eliot Gardiner. Nigra sum a 1. Duo seraphim a 3 0: Audi coelum a 8.
Editor Karl Matthaei — Additionally, he did not specify a set of plainchant antiphons to insert before each psalm and the concluding Magnificat. This page was last edited on 19 Julyat Vespro della Beata Vergine, SV Arranger Luigi Torri There are dramatic unisons for the chorus with athletic fugal passages, in addition to the solo voices — all deployed with virtuosic ornamentation, in a way that’s coherent and moving.
Pope Paul V Camillo Borghese, — Editor Hans Ferdinand Redlich Magnificat I veata 7.